How to Prepare for a Tintype Portrait (What to Wear & What to Expect)

Thinking of Booking a Tintype Session? Here's What to Know First.

Preparing for a tintype session is a little different than getting ready for a modern portrait shoot, and that’s part of what makes it special.

The process is slower. The light is different. The chemistry is real. You’re not just showing up for a photo… you’re stepping into a 170-year-old tradition.

Whether you’re visiting my Franklin, TN studio or booking a session on-location in Nashville or nearby, here’s how to get the most out of your experience.

What to Wear for a Tintype Portrait

Tintype photography handles color and contrast differently than modern cameras. For example:

• Blue appears very light or white

• Red often looks nearly black

• Yellows will look darker

• Pure white can blow out and lose detail

• Black tends to hold tone well

That said, what really matters is texture and personality.

Clothing with visible texture like denim, corduroy, wool, or lace all look fantastic on tintype. These materials catch light in a way that gives the image depth and character.

You will want to avoid logos or overly busy patterns, as they tend to distract and don’t always translate well in the final plate. But don’t feel boxed into a “look.” There are always exceptions.

This is about capturing you.
Don’t overthink it.

Some of the best portraits are made when someone shows up simply dressed in what feels most like themselves. That's the goal to make an image that looks and feels like you.

For visual examples, you can check out some of the looks others have worn on my portfolio page.

What to Expect During Your Session

I shoot tintypes using the wet plate collodion process, which means each image is made from scratch, by hand, and must be developed while the plate is still wet.

Here’s how a typical session goes:

1. We’ll talk briefly about the kind of portrait you’re hoping for.
   This could be quiet, strong, soft, bold — anything. We’ll figure it out together.

2. You’ll be seated and guided into a relaxed position.
   The time to focus and be still is longer than digital, so I’ll help you settle into a natural stillness.

3. The plate is prepared, exposed, and developed right away.
   You’ll get to watch your portrait appear in the developer and then the fixer tray within seconds — it’s a moment most people never forget.

4. Your tintype is fixed, washed, and either handed to you the same day or shipped after drying and varnishing.

Common Questions

Can I smile?
Yes — especially a soft, natural smile. Broad grins are harder to hold still, but we can try a few variations if you're comfortable.

How long does the session take?
Most tintype sessions last about 45 to 60 minutes, including discussion, setup, and development.

Will I get a digital version?
Yes. Every client receives a high-resolution scan of their tintype.

Can kids do tintypes?
Yes — They’ll need to stay still during the exposure, but I’ll help guide everyone through it and work to make it happen.

For more information, feel free to visit my FAQ page or reach out directly.

Based in Franklin, Just Outside Nashville

I shoot most tintypes at my home studio in Franklin, Tennessee just south of Nashville. I also offer a limited number of on-location sessions for individuals, couples, and small groups in the Middle Tennessee area.

Book a Session, and Let’s Create Something That Lasts

There’s something different about seeing yourself in silver. No filters, no edits, just you and the light.

If you're ready to create a tintype portrait, or you're just curious, you can book a session here or learn more about the process.